“Stylization Techniques of Uzbek National Values in Contemporary Advertising Design”
Fayzulla Alimovich Kabilov
Associate Professor at Kamoliddin Behzod National Institute of Fine Arts and Design
Keywords: advertising design, stylization, national values, visual identity, ornamentation, color, digital aesthetics, Uzbek brands.
Abstract
This article analyzes the aesthetic, semantic, and technological features of the stylization of Uzbek national values in contemporary advertising design. The author reveals the role of national ornaments, colors, shapes, typography, and symbols in advertising compositions, as well as the methods of adapting these elements to the modern design language. The study highlights the integration of national ornamentation, folk applied art traditions, and digital design tools, along with strategies for expressing national identity in the global advertising market. Using examples from Uzbek brands such as Artel, SARA, O‘zbegim, and Beeline Bir, the article provides a practical analysis of the contemporary interpretation of national identity.
References
1. Azizov, B. (2021). Reklama va dizayn nazariyasi: estetik va kommunikativ yondashuvlar [Theory of Advertising and Design: Aesthetic and Communicative Approaches]. Tashkent: San’at Publishing House.
2. Eco, U. (1976). A theory of semiotics. Bloomington: Indiana University Press.
3. Kress, G., & van Leeuwen, T. (2006). Reading images: The grammar of visual design (2nd ed.). London: Routledge.
4. G‘anieva, N. (2023). O‘zbekiston reklama dizaynida milliylik va zamonaviylik uyg‘unligi [The Harmony of National and Modern Elements in Uzbek Advertising Design]. Journal of Art and Design, 4(2), 45–53.
5. To‘lqinova, D. (2023). Raqamli dizayn vositalarida milliy obrazlarni yaratish strategiyalari [Strategies for Creating National Imagery in Digital Design Tools]. Creativity and Technology, 5(2), 59–67














